My paintings begin with memories of built environments that I have sometimes seen and sometimes only felt. They are not exact representations of specific places. Instead, they explore how architecture is experienced and remembered.

In my work, I understand the built environment as a continuum of cities, streets, parks, waterways, buildings, and interiors shaped by human presence. I do not separate exterior from interior in my work. All spaces are connected in memory, and my paintings emerge from that connection.

Oil paint is central to this process. Its slow drying time, luminosity, and capacity for layering allow me to build images gradually in a way that reflects the accumulation of memories. Over time the surface changes, and that change becomes part of the work.

Architectural geometry, monumentality, and the rhythms of constructed spaces provide the structure for my paintings, but memory and feeling determine their form. Through abstraction, familiar spaces become less about recognition than experience. Interiors and exteriors remain linked in memory, and I am interested in making paintings that invite viewers to enter such layered spaces.